Outdoor sculptures, often seen as static monuments, take on a fascinating dimension when viewed through the lens of the many-worlds interpretation (MWI) of quantum mechanics. This theory suggests that every quantum decision spawns parallel universes, creating a multiverse of infinite possibilities. But how do physical sculptures—rooted in our tangible world—respond to such an abstract concept?

Artistically, sculptures can embody the idea of branching realities. A single piece may appear differently from various angles, mirroring the MWI’s notion of divergent outcomes. For instance, a twisted metal sculpture might evoke chaos in one perspective while suggesting harmony in another, reflecting the coexistence of multiple states.

Materially, weathering and erosion introduce change over time, akin to quantum decoherence. A bronze statue’s patina or a stone figure’s cracks become metaphors for the gradual "splitting" of worlds, where each alteration represents a new timeline.

Ultimately, outdoor sculptures serve as silent witnesses to the fluidity of existence, bridging art and quantum theory. They challenge viewers to ponder: if reality is a tapestry of possibilities, can art capture them all?