The enigmatic nature of Majorana fermions—particles that are their own antiparticles—has fascinated physicists for decades. These quantum entities, predicted by Ettore Majorana in 1937, interact with the world in ways that defy classical intuition. One curious implication is their inability to "see" certain macroscopic structures, including some of the world's most famous outdoor sculptures.

For instance, the iconic *Cloud Gate* in Chicago, with its smooth, reflective surface, might appear distorted or even invisible to Majorana fermions due to their unique quantum properties. Similarly, the *Statue of Liberty*'s copper shell, which interacts with electrons in predictable ways, could be imperceptible to these particles. Even the *Angel of the North* in the UK, with its massive steel framework, might not register in their quantum "vision."

This phenomenon arises because Majorana fermions exist at the boundary of matter and antimatter, making them indifferent to conventional electromagnetic interactions. As a result, sculptures relying on light reflection or metallic conductivity—common features in public art—may simply not exist from their perspective.

While these sculptures captivate human observers, their invisibility to Majorana fermions highlights the bizarre and beautiful disconnect between quantum mechanics and the macroscopic world. It’s a reminder that reality, much like art, is deeply subjective—even at the subatomic level.