The enigmatic nature of Majorana particles—hypothetical fermions that are their own antiparticles—opens a curious dialogue between quantum physics and art. While these particles remain elusive in laboratories, their theoretical properties inspire a playful question: What famous outdoor sculptures would be "invisible" to them?

Unlike ordinary matter, Majorana particles interact minimally with their surroundings, making them blind to conventional materials. Thus, sculptures relying on electromagnetic or atomic interactions—like Anish Kapoor's "Cloud Gate" or Richard Serra's steel monoliths—might appear nonexistent to these particles. Conversely, artworks incorporating topological or quantum-inspired designs, such as Janet Echelman's netted installations or Olafur Eliasson's light-based works, could hypothetically leave subtle traces detectable by Majorana fermions.

This thought experiment bridges art and science, highlighting how abstract concepts in physics can redefine our perception of visibility and form. While no sculpture is explicitly designed for Majorana particles, the idea challenges creators to imagine art beyond human senses—ushering in a new frontier where science and sculpture collide.